Having built her experience in web, animation and motion graphics, Aimee's skills in interactive design have always been characterised by her interest in community, communication and social good. Co-founding Double Days in 2011, Aimee's work with Gather & Fold and Designers Who were built to challenge digital norms and notions of online publishing.
Aimee is currently working as a senior digital designer at D3R, as well as conducting research into distribution and communication tools within disaster-stricken communities.
With a background in publication design, Bonnie's interest shifted to the designer-as-author model in 2011, writing with publications such as MADE Quarterly, Process Journal and Creative Review, and leading to the formation of Double Days and its experimental publishing projects.
Bonnie worked as editor at Australia's oldest design publication Desktop from 2013—2015, and has presented talks and workshops on self-publishing, adaptive design processes, and content-driven design. She wrote and taught RMIT's 'Design Infidelity' studio in 2015, and currently works as Creative Lead at In Common.
How can digital design help circulate improved building standards in low-literacy, earthquake affected communities?
Aimee is currently conducting research in Nepal, where an English builder is working to teach building standards for earthquake-resistant homes.
Resisting the styleguide: How can designers empower clients to produce their own branded material?
Bonnie is working on a model that shifts the designer into a facilitator, providing the tools to enable clients to produce their own creative branding material. In an appropriate space where a brand may be flexible, the inquiry proposes that authentic production of such material can only come from an equipped stakeholder.
Bonnie, Aimee, and The Brandling's Anne Miltenberg conceived and built Designers Who to share design articles and host the commentary that surrounds it. DW contains no imagery and no articles, instead treating reader comments as a form of design publishing. View Project
Bonnie curated the weekly public talks delivered through RMIT's DFL. Seeking to deconstruct podium-to-audience delivery and challenge the tradition of 'thumbnail jpeg' promotion, speakers were invited to experiment with their lectures, and the themes informed the material and construction of the promotional posters.
A day-long intensive workshop that broke design practice into four pillars: writing, research, type and image making, and challenged students using unconventional processes to experiment within short timeframes. In conjunction with Paul Fuog (U-P.co), Veronica Grow (Old School New School) and Jack Musset (Motherbird).
As part of the D-Crit Summer Intensive, design writer attendees contributed 140-character critiques of their work and environment. After two weeks, these mini-critiques were published through public display.
At the completion of the web-based publishing project, Gather and Fold was translated into a book. By interrogating its online origins, the publication's design and layout was informed by digital materials and approaches, affecting how the content was consumed, and leading to features like printed "tumblr" scrolling.
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Over 15 months, 29 creatives local to Melbourne were interviewed about their process, practice and community. The interviews ran on a referral basis, meaning that each interviewee chose who was interviewed next, ensuring there was no author-led curation. The connections between disciplines, ages and experience levels were exposed as organically as possible, acting as a snapshot cross-section of Melbourne's wider creative scene in 2011-2013. View archive